Thursday, December 11, 2014

Floyd's Looking

Week of December 8, 2014

Ok, so it has been a while since I posted. These are busy times. If you're on the marketing/BD side of your company, you know that this is the time of year when (many) public agencies push out Requests for Proposals for on-calls and/or rosters. You can be inundated with proposals to write, all just for the "license to hunt" for projects to work on with that client.

If you're like the millions of us in the USA who celebrate Christmas, this is also a crazy couple of weeks... or months... of letter-writing/mailing, gift preparations, food preparations, and all manner of decorating, traveling, to-ing and fro-ing.

All of this can make us forgetful, as the "busyness" of our lives crowds out everything else.

Many years ago when I worked in the non-profit arts world, a dear colleague of mine told me how our memory works, and why it sometimes fails us. His name is Floyd.

Floyd is the little librarian who lives in your head, in the memory stacks. Think of the memory stacks like the old library stacks, buried in the basement of the biggest library you can think of. If you're too young to know what library stacks look like, watch the scene early in the movie Ghostbusters for the basement of the New York public library. It looks pretty much like that. There are books everywhere, a card catalog in disarray, maps, stepping stools, ephemera, and junk (or gunk, as in the case of Ghostbusters).

Floyd was an adult when you were born because you wouldn't put a baby in charge of filing your learning and memories. And the task of filing and ordering your brain is so daunting, he ages at a much faster rate than you do. So by the time you are 35 or 40, he is an old man, hunched at the shoulders, an aching back and graying hair.

Now, say you're trying to remember the name of your 4th grade math teacher. You draw a blank. Actually, that's Floyd, asleep at the card catalog, or pulling out a blank card from the back of the drawer.

Or maybe you put something in the wash and go about your day. Then at 2 AM, you remember to go put the load in the dryer. That's Floyd, finally getting to the "household" stack in your mind, and pushing the "laundry" book into your hand.

Most of the time, Floyd is just r-e-a-l-l-y slow getting to the pertinent part of your brain, and that's why things pop into your head hours later. I think of Floyd as Tim Conway's little old man, shuffling along, and getting his feet stuck in the bunched up carpet (Tim Conway as the Old Man Doctor). Sometimes, he never makes it to the destination. But most of the time, he (hilariously) jumps the bunched carpet and inches his way closer to the thing I am trying to remember.

I cut myself (and others) more slack now about memory. We're all getting older -- Floyd is ancient. So when those blank memory moments happen, I know that "Floyd's looking" and it will come eventually. As the little old man says, "I'm a-comin'... I'm a-comin'..."

Wednesday, October 22, 2014

Get a Meeting

Week of October 20, 2014
This week is about getting a meeting with your clients. How do you get that next "touch point" so you stay Top of Mind? Here are my 10 quick tips.

1) At the end of your project-focused discussion, ask the client what else they have on their plate OR how else you can be of help to them. Be sincere, and this one question can uncover a wealth of opportunities.

2) Arrange a site visit to a current project, a project-of-interest to the client that you are doing, or an open tour that you know about.

3) Introduce your client to a colleague, trusted subconsultant, industry expert, or teaming partner.

4) At a project milestone, thank them for their business and support on the project; congratulate them on meeting the important milestone (on schedule or ahead of schedule or under budget).

5) Offer to collaborate with the client on an article, a presentation, an award submittal, etc. Do your homework and find an appropriate venue/audience for what you propose.

6) Ask for feedback - how are you doing on the job? how can you improve?

7) Reality check - ask the client "What is going well?" Not everything is a problem to be solved. Help them (re)gain some perspective with this game-changing question.

8) Share industry news, an economic forecast, and/or technology advancement. They probably do not have time to keep up-to-speed on the latest/greatest, so help them out by bringing something you found interesting or helpful to their attention. Be sure to discuss with them WHY you found it interesting/helpful.

9) Take your marketer to meet your client. We need to know about them, too, and what better way than to meet them and help generate conversation? We can ask them the "big picture" questions that might not come up naturally in your usual conversations, such as trends, economic outlook, or organizational news.

10) Still need ideas? Check out these two items from the Oregon Daily Journal of Commerce: What does your client want (a synopsis from a keynote speaker at the Society of Marketing Professional Services Pacific Regional Conference) and What does the client want? (an article I wrote for the Journal with information straight from the clients' mouths).


Tuesday, October 14, 2014

Attention Hooks

Week of October 13, 2014
Anyone who knows me knows that I am list-maker. I have lists everywhere, on a variety of topics. They are not all "to do" lists. Not all of them. I learned a long time ago that I could not hold on to everything that was being thrown at me. Folks have heard me say, "I write things down so I don't HAVE to remember them." And here's why:

We only have so many attention hooks. 

I first learned the concept of attention hooks from Jack Canfield. Yeah, the originator of the Chicken Soup for the Soul phenomenon. I picked up one of Jack's seminars on tape early in my career (I don't even remember the title), and he talked about attention hooks and the limitation they put on our lives.

What is an attention hook? It's the place in your brain where you "hang" all of the things that require your attention. Need to sign your daughter's permission slip? That goes on an attention hook. Have to pay a bill? Attention hook. Need to sew a button? Attention hook. And so on.

Honestly, when Jack mentioned attention hooks, this was the image that popped into my head: a neat, perfectly straight row of hooks, in order of priority. Oh, and look, there are a limited number of them.

I was about half right. We do, in fact, have a limited capacity for hanging on to all of that "stuff" that is clamoring for our attention. This is where lists come in. But more on that in a moment...

I was also right that the hooks are prioritized. I was very wrong about the "neat" part, and that the hooks stay prioritized the same way.

This is more like what our modern brain's attention hooks look like: a clump of hooks, perhaps prioritized by color (or number, or letter, or...). Oh, and these should all be FULL.

The truth is, we are bombarded with things that need our attention, from the super important to the frivolous. And what is important to us changes every moment.

Did you catch that? What is important to your brain CHANGES. EVERY. MOMENT. I think of the movie "Up" and the dog with the collar that allows us to hear his thoughts. "Squirrel!" Yeah, ADD is not only a difficult disorder, it is becoming a way of life for all of us. Why?

Not enough attention hooks.

It is not like you can keep adding attention hooks to a never-ending wall. Our brain is not a rolodex with an unlimited supply of blank cards. Do not mistake me. There ARE blank hooks (or blank cards). But they may be out of reach, hidden behind a large item that is hogging multiple hooks. Or you are just too tired to put one more thing on the wall.

And this was the point Jack was making, I believe. Whether your hooks are organized, prioritized, large or small, you only have a few. And if something is taking a hook, it takes it until you deal with it. That is, until you do the thing or remove it from the hook.

That broken toaster in the basement is calling you.

That email you meant to answer is going to keep popping up on your radar.

Your growling stomach is attacking hook #1.

And it will continue this way until/unless you do something about it. What are your choices?

Obviously, Jack recommended that you deal with the items on the hooks by Doing, Dumping/Donating/Filing, or Delegating. Fix the toaster or fling it (in the garbage/donate). Eat something. Respond to that email. Do what it takes to clear the hook.

And I do those things. When something pops in my head, if I can do it in 5 minutes or less, I take care of it. But what if I'm thinking about that toaster when I am at the gas station? And by the time I get home, a different attention hook will have moved up the line. In my ever-shuffling priorities, some attention hooks only see the light once in a blue moon. And yet, I am still using that hook, expending (unconscious) mental energy on it, even when I am not consciously aware of it. I have limited hooks, and most of the time, I am not aware of which hooks have been full the longest.

Make a list. I have a home improvement list, for example, that has all of the things I need to do for the house. Big stuff (clean off the roof/gutters) and little stuff (fix that piece of base moulding that keeps popping off in the kitchen). And the hook just says "home improvement."

I have another list that is sewing/repairs. I need to sew on a button on a coat. I have a bunch of new fabric that needs to be washed. And the hook says "sewing."

Getting the pattern? So when I am at the gas station, thinking about the toaster, I open my iPhone, open my lists, and check to see if "toaster" is on the appropriate list. Toaster is there -- on the "home improvement" list. Collecting dust. And that's when I decide: toaster goes to the garbage list. I am never going to fix it.

When I get home, it goes in the garbage. And the hook it occupied (because it had wandered off the "home improvement" list and invaded a solo hook), is now free. And wow! I crossed off something on the list at the same time!

Look, I'm not saying this would work for everyone. But I am exponentially expanding the real estate of my hooks by attaching a list to each one. And I only have to remember the category, not the entire list. Actually, I don't even remember those any more. I just have a daily habit of looking at my lists.

I don't look at all of them every day. I think there are three that I get in to regularly: Daily To Do, Work, Groceries/Cooking. Some of these overlap, of course.

But you get the idea. Sure, I have limited hooks. I also have long pieces of paper hung from each one. And a cat fraying the end nearest the floor. I better get to that...

What are your tips for freeing your attention hooks?


What Will It Take to Win This Job? Part 2

Week of October 6, 2014
Last week, I shared my tip for making a compelling argument to hire your company for that super cool job: writing an executive summary in advance of the RFP.

So you have written it. It is well before the RFP has come out. You avoided complex vocabulary. You were clear and succinct. But your reviewer says it is lacking in specifics. What does that mean? And how do you fix it?

Remember how your executive summary was organized?
  1. Client Needs - spell out what the client needs and the client's key issues or problems, based on what the client has told you
  2. Results/Benefits - what the client wants to achieve by addressing their issues or solving their problems. These could also be the benefits the client will realize through the completion of the project, such as safer streets, fewer community complaints, good publicity, etc. This must be based on what the client has told you, too.
  3. Solution(s) - what will you DO that will (lead to) the solution for the client's problems and deliver the results the client wants? This has to be action-oriented, explaining the process, not the products. The products will be the same for every competitor. Only the process, the experience the client will have working with you, will be different. Pick out the high points, as if you are opening the "black box" of your creative process.
  4. Proof - briefly explain where you/your company has provided a similar solution/process, and how it was received. This can be as brief as a single sentence: "We implemented a similar collaborative process for the City of Wonder, and they were able to complete their project three months ahead of schedule with full Council approval and an overflowing community ribbon-cutting ceremony."
The number one problem with poor executive summaries is that they are not client-focused. What your reviewer is telling you is that your executive summary talks too much about you/your company, and not enough about the client, or looking at things from the client's perspective. So how do you get that? You're already written everything you know.

Right. What YOU know. Based on what? Who told it to you? Or did you make some well educated guesses?

Here's the solution in three parts:
Ask more questions.
Talk to different people.
Test what you think you know.

ASK MORE QUESTIONS
I could write several blog entries on this alone. (And I probably will...) In general, we ask far too few questions. The rule of thumb when you are talking with a client is that you listen 80 percent of the time and talk 20 percent. Ask a question and listen to the answer. Don't formulate your next question while you are listening. Do not bombard them with a million questions, or try to get through your "list" before the meeting is over. Don't try to solve their problem while they are talking. Just let them talk. Let the conversation go wherever it does. And let there be silence! If you just look at them expectantly in the silent parts, your client will likely keep talking. If they do not say anything else, say "Could you tell me more about..." and pick one or two words from what they said. That will get them going again. Take someone with you - to take notes, ask questions from a different perspective, and watch the client's body language. Each of you will remember different elements and have completely different "reads" of the conversation. 

Not sure what to ask? Start with, "I know we've talked about this project before, and I have many of the specifics. But can you tell me what is driving this project? Why is it coming up now?" 

And after that, try, "What are YOU thinking about the project? Is there anything that you think might cause you concern or grief? Or anything that could make things go really smoothly?" See where those take you.

End the meeting with, "And who else do you think I/we should talk to about this project? Who else has a stake in it? Or an opinion about it?" 

Get names. And be gracious, thanking the client sincerely for sharing their thoughts and time.

TALK TO DIFFERENT PEOPLE
Your client gave you other names, either of people within their organization or with stakeholders, who have an interest in the project. Meet with them. Ask them why they are interested in the project. Ask them what it means to them. Ask them the same questions you asked your client - you will likely be surprised how much stakeholders have to say about the technical side of projects. Listen for things beyond the technical, too. What is at stake for the stakeholder(s)?

Ask them who else you should be talking with. Get names. Follow-up.

TEST WHAT YOU THINK YOU KNOW
When you start hearing the same items from different sources, you have likely hit upon a real issue/key element of the project. For example, different stakeholders and the client might say that public opinion is going to be a factor. Perhaps there are certain special interest groups that may come in to play over one or two elements of the project. Test that. 

Write the few items you believe are key onto separate note cards. Take a few blank ones.

Go back to the client/project manager and say, "We've heard from you and others that these elements are key to the project succeeding. Either they must be overcome, or they must be enhanced/brought about. Would you look at these and tell us if we have captured the information accurately?"

"Have we missed anything or mis-stated anything?" Pull out the blank note cards and add what the client adds. Let the client adjust wording on the note cards (you have a copy of your original back at the office anyway, right?)

"Could you prioritize these elements for us, from your perspective?" Let the client move the note cards around.

If they added cards, ask about those items. For whom are those items important? What has to happen to make this work?

And feel free to take the cards (revised by the client; cleaned up a little by you) to the other stakeholders, and see where they agree/disagree - either on content or priority.


Now, you can rewrite your executive summary.

Ok, obviously, this is a very quick overview of the process of digging deeper with your client and stakeholders. As I said, I could write several blog entries about this topic. But in brief, with the additional information you gather, you should be able to rewrite your executive summary to one that is focused on the client, clearly explains the results and benefits of the project (if everything goes as planned), and concisely explains exactly what your company can/will do to bring everything together. 

For detailed help with your client and stakeholder discussions, ask your marketers/BD professionals. They have access to many resources and seminars. Or hire an outside consultant, like Go! Strategies, LLC or any of my professional colleagues. We can help you tailor your approach, analyze what you learn, and develop your strategy to win. The super cool jobs are out there. Winning them takes time, persistence, and a stellar, client-focused executive summary. 

Thursday, October 2, 2014

What Will It Take To Win This Job? Part 1

Week of September 29, 2014
How many times have you heard (or thought) "What do I have to do to work on this project? This would be so cool!" And where does that conversation go? Into the weeds, as I like to say. That is, into the details about the project, the technical "coolness" of it, and the possible solutions.

My job at that point is to say, "We wouldn't be talking about this opportunity if you couldn't DO the work. What we have to do now is WIN the work." I'm such a buzz kill. But it's true. Why torture yourself with the fun talk about the project when you don't even have it, yet?

I think it is because folks believe that it is hard and not fun to do what is necessary to win the work. Let me tell you what "hard and not fun" is:

Hard and Not Fun

  • Writing a persuasive cover letter without knowing what is motivating the client
  • Tailoring resumes without knowing what skills the client is looking for or what is needed for the project
  • Putting forth a passionate, believable, likable PM that has never met the client face-to-face
  • Creating a team of subconsultants without knowing if any of them have history with the client (you know what I mean)
  • Knowing that our competition did all the previous phases of work, but not knowing if the client liked it or not
  • Writing an approach for a project that you understand technically, but not politically


Easy and Fun

  • Knowing more than any of your competitors about the project
  • Knowing what the client is really after because they told you
  • Being told by the client which subconsultants they think are needed for the project
  • Getting confirmation from several stakeholders that a specific issue is a real issue for the success of the project
  • Learning that your competition did not even bother to submit a proposal because they heard how prepared you were
  • Or even better - the client asks if they can sole-source the first phase of the project because they are so impressed with what you know and how involved you have been to this point!

What will it take to get to "easy and fun" and win the job? Do this ONE THING: Write an executive summary to your proposal before the RFP is ever released.

Organize your summary like this:

  1. Client Needs - spell out what the client needs and the client's key issues or problems, based on what the client has told you
  2. Results/Benefits - what the client wants to achieve by addressing their issues or solving their problems. These could also be the benefits the client will realize through the completion of the project, such as safer streets, fewer community complaints, good publicity, etc. This must be based on what the client has told you, too.
  3. Solution(s) - what will you DO that will (lead to) the solution for the client's problems and deliver the results the client wants? This has to be action-oriented, explaining the process, not the products. The products will be the same for every competitor. Only the process, the experience the client will have working with you, will be different. Pick out the high points, as if you are opening the "black box" of your creative process.
  4. Proof - briefly explain where you/your company has provided a similar solution/process, and how it was received. This can be as brief as a single sentence: "We implemented a similar collaborative process for the City of Wonder, and they were able to complete their project three months ahead of schedule with full Council approval and an overflowing community ribbon-cutting ceremony."


Have someone else read your summary. Ask them to look for:

  • Client Focus - does the writing focus on the client, the client's needs, how the client will benefit, how the solution(s) will help, etc.? This is good. If it strays to language about you/your company before the last paragraph, it will need to be corrected.
  • Filler - words like unique, state-of-the-art, cutting-edge, innovative, and others that are vague and/or superlative. These will need to be eliminated.
  • Jargon - The executive summary needs to be clean and simple so that anyone with a fourth grade reading ability can grasp what you are saying. Look for acronyms, technical jargon, etc.
  • Pretense - words and sentences that are more complicated than they need to be to convey the message need to be cleaned up. Remember, fourth grade reading ability. Do not hide your message in complex sentence structures or difficult vocabulary.


If the writing is clear, clean, and client-focused, you're in great shape! You know enough to make the proposal process much easier and more fun. If not... Come back next week for my tips on what you need to do next.

Thursday, September 25, 2014

Gaining Client Loyalty

Week of September 22, 2014
Ok, so how DO we get to top of mind and build client loyalty?

Interestingly, Tom Fishburne spoke on this very thing at his Google keynote, "Marketing Worth Sharing." At the link to his keynote, he includes both his slides AND his notes. You can easily follow what he is saying, and in essence, his message is this (and I agree):

When you're with your clients, how can you make their experience a little more awesome? THAT is marketing, branding, business development, client services, and company culture all rolled into one. Are you seeing it?

More importantly, are you hearing it? What are the things your clients are talking about? What are they wrestling with? When they share this with you, are you giving them your full attention? Or are you thinking about what you are going to say next? Or what service you want to tell them about?


For the next few days, I want you to try something for me... BE PRESENT.

When the client speaks, stop what you are doing and thinking, and really listen to what they are saying. Ask for clarification. Ask for details. Ask them how it makes them fell. Ask them what they want to accomplish. Ask them what "it" would look like if "it" was working/running/behaving the way "it" was supposed to.

Do not try to solve their problem. Don't offer your advice. And don't tell them about what your firm can do about that or the project you did that was just like what they are going through. Just help them be more awesome. Listen. Reflect back what they say. BE PRESENT.

Saturday, September 20, 2014

Is Client Loyalty Dead, Part 2

Week of September 12, 2014
Last week, I shared some of my recent pondering about whether or not client loyalty (loyalty to us/our firms) was dead. I have concluded that clients are not really loyal to a company/firm, but to a particular person. So in that respect, no, loyalty exists. And it is a powerful one-to-one bond.

I've seen that manifested when a popular client manager leaves a company... and the clients follow him or her to their new firm. So what is that client manager doing to gain that respect and, well, loyalty?

Interestingly, Tom Fishburne, The Marketoonist, has touched on this topic a couple of times. The reality is that clients are thinking about a lot of things, and we are probably not any of them. It is VERY much like this cartoon, "Inside the mind of the consumer" by Tom Fishburne.

This is just human nature. Clients, like all of us, have far more stuff going on in their brains than the name and services of a consultant.

Even clients who are loyal to us, who like us and come to us a lot, suffer from this "too much stuff on the brain" syndrome. For more on how the consumer/client thinks, read the companion article "Inside the mind of the consumer." It is vital to know what is on the client's mind before we can change our position within it.

Next week... how to get to the "top of mind" position with a client.

Tuesday, September 16, 2014

Is Client Loyalty Dead?

Week of September 8, 2014
I've been pondering this question a lot lately: Is Client Loyalty Dead?

Things keep floating up out of my subconscious in response, like when I worked for my father's law firm. He told me that clients, including managers of corporations and government officials, never liked being shifted from the attorney they were familiar with to another in the same firm. The client saw their primary relationship as being with the individual attorney, not the law firm. This was a particularly difficult issue in the large law firm in Portland where he first practiced because senior attorneys wanted the younger, less-expensive attorneys to do as much of the work as possible, which led to more profitability. And while clients may not have understood the motive, they certainly felt slighted if "their" attorney wasn't made readily available.

So maybe our thinking about loyalty is faulty -- that someone could be loyal to a firm/company. It follows that it is easier to establish and maintain a relationship with clients on an individual basis, not a firmwide or organizational one. 

What are we doing to create those relationships? 

I think that part of my role in marketing is to help identify the individual qualities of the person and then help select the technical individual who is the best match. Client research has to go beyond what can be read on the web or in a report. It is equally important to know as much about the individual client staff as it is to know about the organization, company, and market.

 It is a two-step process (at least): 1) Identify the clients and the people within that client organization who are most influential and figure out what makes them tick/what kind of people they are. 2) Then identify the strengths of your BD/Marketing team and match them up to the people at the client organization. 

If we want any semblance of loyalty, perhaps we need to look at how we approach our clients (and with whom) first. It is bringing the "friend making" to a conscious level, and pairing the "right" people together to create something extraordinary. 

I'm still pondering this... More next week...

Friday, September 5, 2014

Meaningful BD

Week of September 1, 2014
Wow, where did summer go? I have been getting a lot of business development questions lately, so I thought I would share some of the tips I've passed on to folks who have asked. Here are your Things You Need to Know for this week:

Question 1: How can I be most efficient with my few BD hours?
The short answer is: Talk to your clients. The longer answer is: Make those conversations with your clients meaningful for them. In general, your client is bombarded with requests to meet to talk about upcoming projects. They may get very little from those conversations. It might even be painful for them to take the time for those meetings because of other deadlines and their own workload. Put yourself in their shoes, and offer them something when you meet that they need/want/like. Here are some suggestions to provide meaning and engagement.

A) What does my client need to know right now to make their job easier, better, safer, smarter, more compliant, more efficient, etc.? Do I have that knowledge/resource available to share? Can I summarize it in 5-10 minutes and have a conversation about it with them? Can I bring an expert (from my company) with me to talk about that and to introduce the client to an additional company member?

B) What is my client's biggest concern/worry today? Would my client talk to me about it if I offered to listen without judgment or offering solutions? Can I be a good sounding-board for their issues, and take some time to offer a helpful solution at a later date (not offer a solution on-the-fly at the moment of the conversation)?

C) What do I have in common with my client outside of work? What committees/organizations are they involved with? Where can I help?

D) What does my client do for fun? Would my client go with me to try our a new restaurant I've heard about, but have not been to before? [Side note - sharing a low-risk adventure like a new restaurant/coffee shop can make some amazing memories and build instant rapport. And everyone needs to eat...]

E) What am I working on right now that would be of interest to my client? If I took them to the job site, what would I point out? Or if I brought them to the office, who would I introduce them to and why?

F) What funding sources are available for my client's type of work/projects? What information could I find to share with them? What services could I offer to help them secure the funding?

Question 2: I don't have a lot of interaction with the decision-makers. Where can I help?
Short answer: Keep your ears open. Long answer: The people you work with at the client and on the team are"in the trenches." They may not know what is coming down the road, but they know what they are worried about, the rumors, and the whispers. Pay attention to what they say and share that with your marketing/BD folks. Similarly, some of the consultants you work with on a regular basis can become your company's best teaming partners. You can help your company make an assessment on which firms might be a good fit.

Question 3: I think my client wants us to work on a project, but they feel obligated to put it out for open competition. Is there anything we can do to get a direct appointment?
Short answer: Get smart on Quality Based Selection (QBS) and the contracts your company has in place already that the client might be able to use. Long answer: Many states, like Oregon and Washington, have a QBS process which emphasizes firm qualifications instead of price as the selection criteria. More importantly, the QBS system often allows the public entity to direct appoint projects up to a certain dollar cap to firms already "pre-qualified." Your public client/project managers might not be aware of that, so it is an excellent piece of information to know (confirm it is true for your state!) and have ready to share.

Additionally, your company may already hold a contract that your client can draw from, using whatever procurement system is available for them. For example, you might be a subconsultant on a multidisciplinary team. Your client might not realize that they can access you through that team's contract. Often, clients can use an on-call contract to direct appoint projects up to a certain dollar amount. For other projects that are too large to direct appoint, they can select a few folks from the on-call to compete for the project, instead of holding an open competition.


I hope these help you interact in meaningful ways with your clients. Your strategies in pursuing work are only as good as your knowledge, so talking with your clients is always a good thing. And please be sure to share your information with your marketers/BD folks. They can often "connect the dots" internally between projects, people, and clients.

Make it a GREAT week!


Wednesday, August 27, 2014

Internal Proposal Process

Week of August 25, 2014
Good morning, BD/Marketing campers! Today's blog is "farm fresh," as they say. I just messed up. The proposal I was working on arrived at our office on time this morning for delivery to the client, but printed double-sided (should have been single-sided), and with one form unsigned. Marketers out there -- is your stomach turning??

These errors could have been prevented with more time for QC and a compliance check on the last day. Instead, we were adding text and new graphics, and receiving edits from multiple reviewers on the same day the proposal was to be printed and sent to another office for delivery. I knew better, and I did it anyway. 

I'm sharing my preventative tips. I normally do these, and my proposal process is (usually) smooth, efficient, and relatively painless. This time I did not follow my own process, and mistakes were made. It was an important reminder: no matter how much experience you have with proposals, there are no shortcuts.

Here are your Things You Need to Know (or Remember) about leading a proposal-writing process.

1) Go through the RFP and create your own outline. Include:

  • The order and section titles
  • What must be in each section
  • Page limits for each section (if any)
  • Points/value of each section
  • Criteria of each section
  • Who will write what (by section or item, as appropriate)
  • Required forms, who will sign

2) Create the envelope labels/transmittal sheet on the first day and store them in your proposal folder.

3) Write on the front of the folder or RFP in BIG LETTERS the printing instructions, e.g. how many pages,  whether it is single or double-sided, bound/unbound, originals/copies. Add this to your outline, too.

4) Prepare a proposal-writing schedule that looks like a typical calendar month. The visual of a calendar page helps the team grasp the deadlines quickly. Include:

  • Graphics - sketches due, mock-ups due, edits returned, revisions due
  • Quals/resumes - drafts out, edits returned
  • Subs' materials due
  • Forms signed/added to proposal
  • Draft narrative due, who reviews, revisions due
  • Final narrative due for proposal compilation
  • Draft proposal out - who reviews, revisions due
  • 2nd draft proposal out - who reviews, revisions due
  • Ample time for a quality control/compliance check (usually by marketing)
  • Production, delivery time
  • Proposal due date -- who delivers
  • Vacations/out-of-office of proposal contributors

5) At the proposal kick-off meeting, review the outline AND schedule. Make adjustments; resend. Follow the schedule. Missed an internal proposal-writing deadline? Follow your company's protocol. At the very least, call the team members involved and hash it out. Exactly as with a project, every missed deadline or piece of information has a ripple effect. 

6) Debrief with the proposal-writing team after the proposal goes out, and before a decision has been made. What went well? What didn't work? What can be done next time?

My proposal schedule sample is below. Can you spot the missing information? What would you have done differently, now that you have seen my usual process above?



In case you were wondering, the office is re-printing and hand-delivering the proposal. It should be ok in the end. Although, my stomach is still upside down. As my mentors say, "Breathe deep, accept the situation, change what you can, and move on."
Make it a great week!
K

Friday, August 22, 2014

Writing Guidelines

Welcome to the inaugural post of my BD and Marketing Blog for Professional Marketing Services. Consider this a "note from a friend." Each week, I'll post articles that interesting, informative, or important to your jobs. I will also take you behind the curtain of marketing/BD for professional services, to keep you educated and motivated in your client relations. And I will try to give you a glimpse inside my brain at the odd and sometimes amazing connections that are made there. [You don't have to be crazy to love marketing, but it helps!]

So, "Hi!" to everyone. Drop me a line sometime to let me know how you are doing, what you need, and what you are up to. The Blog is for YOU - please help me give you what you need/want to see. Until then, here are the Things You Need to Know for this week.

Just as you all have to follow standards and guidelines in submitting your deliverables to various clients and agencies, marketing and BD has standards and guidelines. Most companies have writing, style, and graphics guidelines specific to their company, or have adopted a particular edition of the AP Style guide. In either case, get to know your company's practices. Following them not only makes editing easier, it gives a consistency to your company's materials that clients recognize and appreciate.

Here are a couple of items that tend to trip us up:

Capitalization - avoid unnecessary capitals. Proper names and formal titles are capitalized when used as the name and title; almost everything else is not. If someone served as the project manager, then it is not capitalized. If they are Project Manager Jane Smith, then it is capitalized. In the case of reports, an environmental assessment is not capitalized, but the Lower Stanton River Environmental Assessment is capitalized, as it is the formal title of the report.

Acronyms - Acronyms and abbreviations for government agencies should be spelled out the first time they are used in the document. Several companies use ONLY the acronym in their employees' resumes and the project descriptions, because it is likely that the acronym would be used (and spelled out) MUCH earlier in a proposal document than the resumes/projects. This is a time-saving practice!

In the case of technologies that are widely recognized by their abbreviation, use that in all references: GPS, GIS, CADD, JPEG, PDF, etc.

Agencies commonly known by their acronym can be used with or without first spelling them out (FEMA, NOAA, EPA, DoD, etc.) These could be regional, as well, such as CDOT in Colorado -- you would not need to spell out CDOT in a CDOT submittal.

Numbers and dimensions/units - Spell out numbers under 10... except as part of dimensions, distances, or addresses. For example, "He has more than six years of experience..." but "he built a 16-by-9-inch box." All unites are spelled out (inches, feet, foot-long, percent, etc.), without the use of symbols (no ", ', or %). If the number begins a sentence, spell it out.

Ensure/Assure/Insure - these words, and all of their forms, are liability words that should be avoided. They implay a guarantee of action or result, which you might not fully control. Rewriting the sentence that has any of these words in it usually involves identifying an action or desired result and focusing on that. For example, "We will perform quality checks prior to each submittal to ensure they comply with ODOT standards," would become "We will perform quality checks to confirm compliance with ODOT standards." Or better: "We will check that deliverables comply with ODOT standards."


What are your common standards/guidelines? Or pet peeves?

Make it a great week!